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![]() On Lunatic Mode, the requirements to beat this chapter are extremely narrow. Alternatively, if either one is not trained or is used to pass Corrin down to Takumi, you can grab several Falcon Knights from Chapter 24 for this job, as several have Pass and come with sufficient stave experience. Ideally, you can use Niles, Nina as an Adventurer (for Rescue) or Bow Knight (for movement). On Lunatic Mode, the enemy density increases greatly around the middle area, and will require you to have one of the units performing the chain have Pass. On Normal and Hard mode, the enemy density is moderately high, but you can still perform a Rescue Chain without needing Pass. Only "Invader" units can stand on this tile and will gain some defense and evasion bonuses on it. This battle takes place in the Hoshidan throne room from the previous chapter, however the room now has large sections destroyed and replaced with "Dark Water". Subjective: The following part of this article is based upon the editor's personal experiences and opinions, and therefore may not be applicable for all readers. A few days later, the Nohrian siblings meet up back in the Throne Room as Xander is standing by the throne, saying saying that together, the Nohrian royal family will continue to bring peace to the world. Azura hopes that they will meet again one day, a sentiment that Corrin shares. As they look, they simply thank Azura for being a selfless person, but her visage disappears. Suddenly, Corrin can hear her song and sees a hallucination of her. Taking a break from the festival, Corrin wanders to the lake where they first met Azura. With the first sign of peace, the Nohrian siblings and Corrin head to the festival in town. Though Corrin is happy with their success in ending the war, much of their actions are still despised by the people of Hoshido and are still guilt-ridden by these actions. Xander apologizes for their losses and tells Hinoka that nothing bad or evil like Iago will ever happen again and will continue to make peace with what happend in Hoshido. While it is clear that she has forgiven Corrin, the deaths of her brothers weigh heavily on her. With the deaths of Ryoma and Takumi, Hinoka becomes the new Queen of Hoshido and a new peace treaty has been established between the kingdoms. Hinoka and Sakura safely survived the war and were set free. At his coronation, Xander announces that they have made peace with Hoshido. Back in Nohr, Xander takes it upon himself to ascend the throne and take his place as the new King of Nohr. They soon leave to tell the other soldiers that the war is finally over and to search for the now-missing Azura, who mysteriously vanished after the battle, likely dissolving into water much like she did in Birthright, and Corrin wonders if they may never see her again.Īfter the war has ended, peace has been restored to both Hoshido and Nohr. After the battle, with the monster killed, he thanks Corrin and dies in peace.Ĭorrin wonders what may have possessed Takumi and Garon, but are unable to come up with any conclusions. Throughout the battle, Azura apologizes for not helping Takumi soon and uses her forbidden song to weaken Takumi, despite knowing it will kill her, and thanks to her efforts alongside Corrin and the Nohrian army, Takumi is finally put to rest. Spurred further by the forces of the Nohrian army, Returning to the world, the Yato is reforged and Corrin proceeds to fight the possessed Takumi alongside the army. They both make amends to each other for their actions before he disappears. ![]() To help them with this task, he offers them his Fujin Yumi to repair the Yato and laments that they could have fought together in another path. The real Takumi also appears, stating that the "Takumi" they were facing is no more than another puppet for the same mysterious force controlling Garon, fueled by his resentment at Corrin for siding with Nohr, and begs them to end his suffering. As they lie wounded, they have a dream, where Corrin encounters Lilith, Mikoto and Ryoma, who encourages them to finish the fight. Corrin takes a hit from Takumi to protect their siblings, losing their Shadow Yato in the process. Immediately after the end of Chapter 27, a possessed Takumi reveals himself and attacks Corrin and the Nohrian royals. PlayStation VR2 is quick and easy to set up – just plug in and play. Description Conquer colossal peaks, overcome fearsome machines and uncover a hidden danger to the worldof Horizonin the PlayStation VR2 Horizon Call of the. Jump straight into new virtual worlds with a simple one-cable connection to the PlayStation 5 console’s front USB port. Sense a character’s presence as they whisper in your ear, locate friends and enemies by their gunfire or footfall, and experience the creeping dread of a threat approaching from any direction. Surround yourself with incredibly realistic soundscapes 1, as in-game audio dynamically adapts to your position and head movements 1. VR headset PlayStation VR2 Sense controller (L) / (R) with attached straps USB cable (for controller pairing and charging) Stereo headphones Three pairs. Created by a single built-in motor, these vibrations add an intelligent tactile element to the sensory immersion experienced as you play.ĭetect your character’s elevated pulse during tense moments, the rush of objects passing close to your head, or the thrust of your vehicle as you speed forward. Headset feedbackįeel subtle, responsive headset vibrations at key moments during gameplay 1. Your movements and the direction you look are reflected in-game without the need for an external camera. The PlayStation VR2 lets you experience the next generation of virtual reality gaming with 4K HDR visuals, genre-defining titles, and unique sensations from. Play with freedom as PlayStation VR2 tracks you and your controllers through four cameras embedded in the headset. Interact in new and lifelike ways, as the PS VR2 headset detects the motion of your eyes, allowing for heightened emotional response and enhanced expression when meeting fellow players online.Įye tracking cameras follow your line of sight when aiming or looking around, while advanced foveated rendering techniques improve the visual experience by adjusting resolutions to pinpoint and enhance whatever you’re focusing on. ![]() The lens adjustment dial allows you to customise spacing between lenses to match your eye position for an optimal onscreen image. The headset also includes a vent that allows airflow to the lenses, reduces fogging and enhances player comfort. Enhanced comfortĮnjoy comfortable play sessions through a vast 110º field of view and a light, well-balanced Fresnel lens. Escape into thrilling new worlds that feel, look and sound truly real as virtual reality gaming takes a huge generational leap forward with PlayStation®VR2.Ģ x PlayStation VR2 Sense™ controller (L) / (R) with attached strapsġ x USB cable (for controller pairing and charging)ġ x PlayStation™Store voucher code for Horizon Call of the Mountain™Įxperience breath-taking virtual reality environments in clear focus with 4K High Dynamic Range visuals and up to 120fps 1, as two 2000 x 2040 OLED displays deliver over four times the resolution generated by the original PlayStation®VR headset. ![]() Still, How Many Times is an intriguing glimpse of an artist at the beginning of a skillfully carved path-even if it leaves you wondering what it was that made her cry in public in the first place, what makes her tears dry. Los Angeles-based artist Hana Vu drops her latest EP, Parking Lot (out via Ghostly), a slow spinning, haunting collection of six tracks slated to chill you straight to the bone. When the rapper Satchy adds a sleek verse to “Cool,” their voices sound complementary, but it’s a bit of a disruption. But in terms of lyrics and melodies, nothing else on the EP resonates quite as strongly as “Crying on the Subway,” and often the smoothed edges threaten to turn these songs into chilled-out indie muzak. On the whole, Vu’s knowingly detached vision feels cohesive, and her productions shine. The focus of How Many Times attests to it. “Gonna make it perfect/Better than it has been.” When Vu proclaims, wisely, “I’m tryna make it cool/.Don’t tell me that I’m wrong/’Cos ain’t nobody right,” it feels like her personal aesthetic thesis. “Cool” is Vu’s understated loner anthem about hiding out and staying home to work on yourself: “It’s OK to be alone/’Cos I’m gonna make it happen,” she sings. “426” has a melancholic, retro shuffle with shades of Lana Del Rey cool. The entire song conveys loneliness and comfort at once.Īcross the minor keys and twinkling chords of How Many Times, Vu sings about mundanity, failure, disappointment, and fear. “Take the red line into downtown/I’m trying to escape you.” Her richly layered vocals feel like a long sigh, like infatuation steadily deflating, like a cold stare. “In my dreams I’m in that gray room/In my chest I’m feeling dark blue,” Vu sings, evoking the colors of her mood music. It is a muted daydream with a wobbly bass sway, the sound of quiet longing and a resigned single tear, of a person who really is trying to just get by. Instead, “Crying on the Subway” is emotionally vacant in a way that feels real. The song doesn’t convey the claustrophobia so typical of city music, like Chandra’s “ Subways,” nor does it contain the gut-wrenching despair of girl-group weepers. Her elliptical sensibility makes “Crying on the Subway” more subtle and restrained than you’d expect. How Many Times spans such styles as loungey downbeat pop and yearning indie rock balladry, but it is all tied together by a charmingly droll vibe and Vu’s deep, soulful voice. Vu’s primary mode is electronic dream pop with streaks of misery that feel discernibly teenage: “I’m always on the phone/I’m always doing nothing,” she sang on the 2016 album Sensitive, which included a collaboration with Willow Smith called “ Queen of High School.” Her version of bedroom pop is one that clearly aspires to a slick, sophisticated level of production, like that of Jay Som. Growing up, Hana Vu documented her life the only way she knew how: writing songs and packaging them into collections that she put out at the end of each year. Following three-and-a-half years of self-released material from Vu-who has used Bandcamp like an emotional diary, in the vein of Frankie Cosmos and Soccer Mommy- How Many Times is her first release for the label Luminelle Recordings (run by the folks behind the still-kicking MP3-download-era blog Gorilla vs. I Got 12.“Crying on the Subway” is the lead track from her EP, How Many Times Have You Driven By, a coolly minimal collection that the 17-year-old recorded and produced on her own. Listen to “Everybody’s Birthday” below and see the details of Public Storage further down. While “Maker” set Vu’s existential entreaties to a nuanced indie-pop sound that prominently featured the banjo, “Everybody’s Birthday” is more glossy and pop-forward, despite its gloomy lyrics, with a bouncy drum and bass groove at the forefront, and bright keys and guitars aglow against Vu’s striking contralto vocals.Ĭo-produced by Jackson Phillips (Day Wave), Vu’s forthcoming album is named for the storage units she and her family used while moving every few years, a process of carrying personal history forward that Vu connects to her songwriting: “These public expressions of thoughts, feelings, baggage, experiences that accumulate every year and fill little units such as ‘albums.’” She even lived next to a public storage facility while writing the record-a physical manifestation of the metaphor. ![]() Vu’s latest song finds the talented 21-year-old exploring her vocal range’s lower reaches, physically evoking the song’s uniquely bleak subject: “the collective misery and depressive introspection one experiences on their birthday, which in this era of being alone, can feel infinite,” as the artist explains in a statement. Her new single “Everybody’s Birthday” is the follow-up to mid-July’s “Maker,” which we hailed as one of that week’s best tracks. Los Angeles-based solo artist Hana Vu has announced her debut album for Ghostly International, Public Storage, coming Nov. |
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